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An Inspired Chat with Livi DarConte

Livi DarConte shared their story and experiences with us recently and you can find our conversation below.

Hi Livi , thank you so much for taking time out of your busy day to share your story, experiences and insights with our readers. Let’s jump right in with an interesting one: Who are you learning from right now?
I think the most beautiful part about working in such a creative and fast-paced industry is the constant opportunity to learn. No matter what set I walk into, I’m always learning from the people around me. Every cast and crew member brings something unique whether it’s an actor’s emotional depth, a cinematographer’s visual instinct, or a production assistant’s quick problem-solving. There’s always something to take in if you’re open to it.
I really believe that having a free and curious mind is essential in this line of work. The moment you think you’ve learned everything, you stop growing. For me, there’s no end to receiving knowledge. Every experience, whether it goes perfectly or not, becomes a lesson that shapes how I approach my art. That’s what I love most about being on set it’s a living, breathing learning environment where creativity flows from every department, and every person has something to teach if you’re willing to listen.

Can you briefly introduce yourself and share what makes you or your brand unique?
I’m an award-winning director, screenwriter, and producer with over a decade of experience in film and music video production. Through my production company, I focus on creating work that exists between pulse and thought, telling stories that blur the line between reality and fiction. My films are known for their surreal, dreamlike quality and emotionally charged narratives that explore the depths of human experience.
I began my creative journey as a child actor, where I developed a fascination with storytelling and the power of performance. That early experience shaped my approach behind the camera, allowing me to bring empathy and precision to my directing. To date, I’ve directed over 15 projects, each one an exploration of vision, rhythm, and meaning. My work aims to engage viewers on both a conscious and subconscious level, inviting them into a cinematic dream where emotion drives reality.

Appreciate your sharing that. Let’s talk about your life, growing up and some of topics and learnings around that. What did you believe about yourself as a child that you no longer believe?
As a child, I was very timid and shy. I was afraid to use my voice, to share my art, or to let people see the way I viewed the world. I used to believe that keeping quiet was safer than being seen. Film completely changed that for me. It became the place where I could discover and strengthen my voice, where I learned that vulnerability and expression are forms of power.
Through filmmaking, I transformed that quiet little girl into a woman who isn’t afraid to shout her vision from the rooftops. I’ve struggled with insecurity and perfectionism along the way constantly questioning whether my ideas were “good enough.” But I’ve learned that confidence doesn’t come from perfection; it comes from authenticity. Now, I’m proud to stand behind my work and share my vision with the world, knowing that every piece I create makes that younger version of myself a little prouder.

What did suffering teach you that success never could?
Suffering taught me lessons that success never could. It taught me to cherish everything I’ve worked for and to find strength in moments that once felt impossible to overcome. It showed me how to pivot, to adapt, and to create something meaningful even from pain. I’ve come to believe that suffering and success are deeply intertwined because you can’t fully reach one without experiencing the other.
In filmmaking, and even within the so-called “suffering artist” idea, I don’t think artists truly suffer when they’re creating. Creation itself becomes a form of release, a sense of comfort and purpose. It’s a way to transform pain into something beautiful and to channel emotion into stories that resonate with others on both a conscious and subconscious level.
Suffering has taught me to see life differently, to value the small moments, to keep going even when things feel heavy, and to always find meaning in the process. It’s a reminder that no matter how dark something feels, we have the ability to turn it into art, into growth, and into something greater than ourselves.

Next, maybe we can discuss some of your foundational philosophies and views? Is the public version of you the real you?
I’d like to think that a lot of my true self exists within the version of me the public sees. “Livi DarConte” became a kind of character I created as a way to separate my personal life from my professional world. I value authenticity in how I present myself, but I also believe in maintaining boundaries. The public version of me is definitely more assertive and refined, but she’s still me. It’s just a more focused expression of who I am.

Okay, we’ve made it essentially to the end. One last question before you go. When do you feel most at peace?
I feel most at peace when I’m creating. Whether I’m at the very beginning of writing a script or nearing the completion of showings, there’s something profoundly grounding about bringing an image that once existed only in my mind to life with my team. Even when everything around me feels fast-paced or chaotic, that creative flow brings a stillness I can’t find anywhere else. It’s a strange kind of peace that lives inside the adrenaline, the calm that comes from knowing I’m doing exactly what I’m meant to do.
Making films and music videos is something deeply connected to my heart, my mind, and my being. No matter what’s happening in my life, collaborating with my cast and crew always reminds me why I love this work. It’s the escape, the release, and the reminder to live fully in the moment. Taking an idea and shaping it into something tangible, something that moves people, is the most breathtaking and peaceful experience I know.

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Image Credits
Trini Guevara, Emmanuel Villa, Cooper Burns and Jose Muniz

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